Rosalía is having a heavenly year, and she has the wardrobe to match. At the Latin Grammy Awards in Las Vegas on Thursday night, the Spanish superstar, who took home a suite of awards including Album of the Year for and Song of the Year for “La Perla”, delivered a series of fantastical, sent-from-above fashion moments.

First up? A gloriously frothy white creation from Matières Fécales, one of the year’s most talked-about – and increasingly celebrity-beloved – fashion labels. Styled by Chloe and Chenelle, Rosalía arrived in a custom gown inspired by the Paris-based label’s spring 2027 collection. The look featured a sheer, tightly ruched corset bodice, clouds of tulle billowing around the shoulders, and an enormous, floor-sweeping skirt. It chimed with the star’s current aesthetic, which oscillates between bridal confection, prima ballerina and celestial apparition. Right at home in the spiritually-charged universe of .

Matières Fécales spring 2027.

Photo: Filippo Fior / Gorunway.com

Matières Fécales, the provocative label founded by Hannah Rose Dalton and Steven Raj Bhaskaran, has quickly become something of a red-carpet phenomenon. Lady Gaga brought its gothic sensibilities to the Grammys earlier this year in a dramatic black feathered gown; Zendaya wore a winged, goddess-like white creation to premiere, and a frayed salmon-pink gown while promoting . Demi Moore embraced its more extravagant side in a hot-pink Cannes ballgown, while Sarah Paulson and María Zardoya both chose the label for the 2026 Met Gala. There’s a mesmerising balance of the grotesque and the gorgeous, with shredded fabrics and surreal proportions that coexist with sweeping, exquisitely feminine silhouettes. Rosalía, naturally, is game.

The look fits into the singer’s ever-ambitious fashion vocabulary. Her era has seen her fully embrace the possibilities of fashion as performance, spanning everything from religious iconography to the delicate discipline of ballet. For her tour, Jonathan Anderson created a suite of extraordinary custom Dior costumes, including an embellished organza tutu, a pale-blue pannier dress, a militaristic ensemble with a tricorne hat, and an angel-wing cape. Ballet has also spilled into her off-duty wardrobe: recall the latex-and-tulle tutu dress by emerging designer Yasmina Atta, or her towering archival Junko Shimada ballet platforms.

And what makes Rosalía’s style so exciting is her willingness to champion both the established and the experimental. Alongside the grand maisons, she’s worn emerging names like Monique Fei, Rosalie Bernard, Sofía Abadi, and Laura Andraschko, while also indulging in archival McQueen and Nicolas Ghesquière-era Balenciaga.

The Matières Fécales gown was just the beginning. For her opening performance, Rosalía changed into a custom Erdem gown in a rich, shimmering chartreuse-gold – one of fashion’s most irresistible colours of the moment – with a structured corset, romantic off-the-shoulder bows, and a full, gathered skirt. Later, she returned to the stage to accept her awards wearing ivory Vivienne Westwood Couture: a lace, corseted gown with a delicate high-neck collar and an asymmetric skirt. She closed the evening in a black satin Dior slip dress by Jonathan Anderson, posing and beaming with her awards. !